literature 6

Fiction

Narrative fiction (narrative prose) generally favours prose for the writing of novels, short stories, graphic novels, and the like. Singular examples of these exist throughout history, but they did not develop into systematic and discrete literary forms until relatively recent centuries. Length often serves to categorize works of prose fiction. Although limits remain somewhat arbitrary, modern publishing conventions dictate the following:

• A mini saga is a short story of about 50 words or less.
• Flash fiction is generally defined as a piece of prose under a thousand words.
• A short story is prose of between 1000 and 20,000 words (but typically more than 5000 words), which may or may not have a narrative arc.
• A story containing between 20,000 and 50,000 words falls into the novella category. Although this definition is very fluid, with works up to 70,000 words or more being included as novelle.
• A work of fiction containing more than 50,000 words generally falls into the realm of the novel.

A novel consists simply of a long story written in prose, yet the form developed comparatively recently. Icelandic prose sagas dating from about the 11th century bridge the gap between traditional national verse epics and the modern psychological novel. In mainland Europe, the Spaniard Cervantes wrote perhaps the first influential novel: Don Quixote, the first part of which was published in 1605 and the second in 1615. Earlier collections of tales, such as the One Thousand and One Nights, Giovanni Bocaccio's Decameron and Chaucer's The Canterbury Tales, have comparable forms and would classify as novels if written today. Other works written in classical Asian and Arabic literature resemble even more strongly the novel as we now think of it—for example, works such as the Japanese Tale of Genji by Lady Murasaki, the Arabic Hayy ibn Yaqdhan by Ibn Tufail, the Arabic Theologus Autodidactus by Ibn al-Nafis, and the Chinese Romance of the Three Kingdoms by Luo Guanzhong.
Early novels in Europe did not, at the time, count as significant literature, perhaps because "mere" prose writing seemed easy and unimportant. It has become clear, however, that prose writing can provide aesthetic pleasure without adhering to poetic forms. Additionally, the freedom authors gain in not having to concern themselves with verse structure translates often into a more complex plot or into one richer in precise detail than one typically finds even in narrative poetry. This freedom also allows an author to experiment with many different literary and presentation styles—including poetry—in the scope of a single novel.